Hypocrites in High Heels: How Shenseea Became the Messiah of Smut- By Brent Simon

Hypocrites in High Heels: How Shenseea Became the Messiah of Smut- By Brent Simon 

Let us rise, sisters and brothers, and applaud Shenseea, the courageous queen of the dancehall, who has taken it upon herself to hold up a mirror to society’s “smutty” ways. With her bold lyrical choices, she reminds us that since the world is rolling in filth, we might as well roll with it. After all, if society is a mess, why not sing about it in catchy rhymes that stick in the minds of our youth like glitter to a carnival costume?

Shenseea, in her infinite wisdom, has cracked the code: If people are already engaging in morally questionable behavior, why waste time discouraging it? Why not glorify it instead? It’s a genius move, really. Nothing says progress like turning a societal vice into a party anthem. Because, as we all know, young women need more songs telling them that their worth lies in their ability to “shake it” rather than shape their futures.

The dancehall genre, once a bastion of cultural resistance and storytelling, now serves as the pied piper of poor choices, leading impressionable minds down the road of self-destruction, one bassline at a time. Young women are the hardest hit, consuming messages that equate empowerment with objectification, and confidence with their ability to attract a “sponsor” who can pay for the lifestyle Shenseea and her peers promote.

But let’s not stop there. Shenseea’s music doesn’t just reflect reality; it helps create it. Her lyrics are like a roadmap to moral mediocrity, complete with pit stops for financial dependence, shallow relationships, and the pursuit of fleeting thrills. Young girls, instead of aspiring to be leaders, thinkers, or change-makers, are encouraged to perfect their Instagram angles and master the art of twerking. After all, why strive for self-respect when you can settle for social media likes?

Yet, it’s not just the lyrics—it’s the larger dancehall culture, where the line between empowerment and exploitation blurs so thoroughly that even the most discerning listener gets dizzy. Sure, Shenseea calls out hypocrisy, but isn’t it hypocritical to claim to empower women while perpetuating the very ideals that keep them trapped in cycles of objectification and low self-esteem?

And let’s not forget the defenders who argue, “It’s just music.” Ah, yes, just like fast food is “just food” and doesn’t contribute to obesity. Music is powerful—it shapes identities, reinforces values, and molds the minds of the young. Pretending it’s harmless is like tossing a match into a forest and claiming it’s “just fire.”

So, bravo, Shenseea. You’ve held a mirror up to society. But instead of reflecting its flaws to inspire change, you’ve polished that mirror into a disco ball, spinning the same tired messages under the guise of authenticity. And the young women dancing in its glow? They deserve better than this smutty symphony. They deserve art that uplifts, inspires, and challenges—not just music that revels in the gutter and calls it honesty.

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